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This outfit was an amplifier, case and lap steel guitar stand all rolled into one unit  and was supplied by a suitcase manufacturer of the time.
Gibson produced Epiphone amplifiers in the s. These were basically copies or variations of Gibson and Fender amplifiers [ citation needed ]. They used a tube design, and some had reverb and tremolo.
Gibson decided to launch a new line of Epiphone amplifiers in with many different models, including the So Cal, Blues Custom, and the Epiphone Valve Junior.
The Valve Senior offers 20 watts of power, with a full equalizer, gain, volume, reverb, and presence control. As of , Epiphone has ceased production of their line of amplifiers with the exception of the Player and Performance Pack practice amplifiers, available only in Epiphone's starter packages.
These Amplifiers are under the Epiphone Electar moniker. Solid body guitars with flat tops and backs were made at the Elenor Street plants both Gibson and Epiphone in Kalamazoo, Michigan.
Some of these Epiphone instruments were effectively identical to the relevant Gibson versions, perhaps made with same timber, materials and components as the contemporary equivalent Gibson guitars.
Epiphone also continued its production of world class archtop guitars using the same patterns and molds from Epi's New York era.
The other Kalamazoo-made Epiphones had technical or cosmetic relationship with the similar Gibson version.
Several Epiphone guitars have been produced in the United States after The Epiphone Spirit and Special were produced in the early s in Kalamazoo.
In the early s, Matsumoku began to manufacture Epiphone instruments in Japan  with the production and distribution being managed by Aria , in cooperation with Gibson.
At this time, Epiphone ceased production of all of its traditional designs and began manufacturing markedly less expensive guitars, many of which had less traditional bolt-on style necks and unspecified wood types.
For the first several years of production in Japan, Epiphone guitars were actually rebranded designs already produced by the Matsumoku Company.
By , the Japanese market started seeing some of the more familiar designs and names being reintroduced. These guitars were of higher quality than that of the previous years of production in Japan and included models such as the Wilshire, Emperor, Riviera and Newport bass.
By new designs of higher quality were being introduced for export but did not include the current Japanese market models.
By , most Japanese-only designs were available for worldwide distribution. The Matsumoku-made archtops, such as the Emperor, Riviera, Sheraton and Casino, were available into the mids.
From the s, Epiphones were manufactured mainly in Korea and Japan by contractors licensed by Gibson. The brand was primarily used to issue less expensive versions of classic Gibson models.
These guitars were constructed using different woods usually Nyatoh , [ citation needed ] for example, instead of Mahogany , were fastened with epoxies rather than wood-glues.
These particular budget considerations, along with others such as plastic nuts and cheaper hardware and pickups, allow for a more affordable instrument.
I've not seen a Korean Casino for years until today. I really can't tell the difference between the model I bought which is MIK or ones I have tried previously.
I like them all. It's just interesting to keep track of what us being built where. It seems strange that Epiphone are outsourcing production to Korea when they have a purpose built factory in China.
If it was purpose built why can't it produce the numbers required? I like the progress Epiphone has made in recent times with their revisit to 60s style models.
This seems like s step back in their plans but that's only my speculation I bought an Epiphone Casino about twelve years ago. Here is the problem.
The serial number is this "ROOH " I was told when I bought it that is was very rare,either a prototype,which I know it can,t be or one of the first ever made in Korea.
I am looking for a place to add an attachment with photos? Anybody have any info on this? I have a question no one seems to know the answer to.
Do people still really think that Epiphones made in Korea are better? I've also played some made in USA guitars that were absolute junk.
The Epiphone Casino is a thinline hollow body electric guitar manufactured by Epiphone , a branch of Gibson.
Although generally fitted with a trapeze-type tailpiece, often a Bigsby vibrato tailpiece is used in its place either as a factory direct feature or as an aftermarket upgrade.
Unlike semi-hollow body guitars such as the Gibson ES , which have a center block to promote sustain and reduce feedback , the Casino and its cousin, the Gibson ES are true hollow-bodied guitars.
This makes it lighter, and louder when played without an amplifier, but much more prone to feedback than semi-hollow or solid-body electrics.
Early versions of the Casino had a spruce top. Through , the Casino headstock was set at a degree angle and the top was made of five laminated layers of maple, birch, maple, birch, and maple.
Current versions have a laminated maple top, sides, and back, and a mahogany neck. In , Paul McCartney , The Beatles ' bass player, was the first Beatle to acquire a Casino  a model , using it for his studio forays into guitar work, including his guitar solos on " Ticket to Ride " , " Drive My Car " and " Taxman " John Lennon used the Epiphone Casino as his main instrument during the remainder of his time with the Beatles.